First of all I have finally managed to finish writing, translating and uploading the two lace patters I had designed for my lace classes.

It all started way back last summer when suddenly I realized that if I wanted to teach a lace knitting class I would have to provide the students with some sort of pattern. I couldn’t take somebody else’s pattern for teaching (well, I would have needed permission), most patterns I like are in English (and I’m teaching these classes in German), plus I had very specific ideas about what to teach.

So I decided to design a pattern. Now, I have designed things before, I did a lot of knitting in the 80s when there weren’t a lot of nice patterns around, and all sweaters were very boxy. Apart from the sweater that had a fancy brioche pattern in three colors there was never anything fancy. (Well, and then the lace sweater, and when I taught myself how to knit entrelac, and gloves.)

I already had a sketch lying around somewhere because back when I made a purple stole for a friend of mine I originally had planned to design a pattern just for her. My problem was, though, that there is no lace yarn to be found at my local yarn store (apart from mohair, and I’m not going to give a beginner mohair which is impossible to unravel). So I had to make something that used sock yarn. And that idea was for a big stole with very thin yarn.

I ordered nice hand dyed semi-solid yarn with bamboo from Drachenwolle, made another sketch and thought, “I’ll do this during summer break.” Summer break came and went and – surprise – I hadn’t worked on my pattern. Fall came around, I found that I was somewhat reluctant to design something without even knowing if there would be enough people interested in a class but then I had to start some time. Finally, I gave in, pulled out a couple of stitch dictionaries and used those instead of doing it all from scratch. I made the prototype in two weeks time, it went really fast and easy. Then came the charting. Not easy and fast at all. I think I changed the charts four times to make them clear and easy to follow.

The lace knitting class provided me with test knitters. I had wanted this class to be the “lace knitting class to end all lace knitting classes”. I set out to teach them everything so that they would be able to knit every lace project they ever wanted to. So this little shawlette is quite complicated. It uses almost every kind of decrease known to knitters, and it has nupps, and stars.

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It’s called Estnisches Tüchlein/Estonian Shawlette because that’s what it is. You can download it for free. There’s a German and an English version of the pattern.

My students liked the pattern, and the class even though after week one they were sure they’d never get it. But all of them came back for more, and at the end of our fourth evening everybody was confident they knew everything necessary to finish the shawl. And then they asked me for a follow-up class.

Silly me, I thought I had taught them everything they needed to know to go off on their own but they wanted to come back. So there’s a second lace knitting class this semester. Sadly I can’t use the same pattern as last time because of the students who already did that. So I had to design a new pattern. This time I wanted to teach them two things they hadn’t learned the class before, namely provisional cast-on and doing lace on both right and wrong side rows. And I wanted the pattern to be a bit easier than the first seeing that the first one kicked everybody’s ass.

Well, the thought of me making simple things is really funny. I wrote the pattern, I thought it’d be easy-peasy, then I got bored (as I’m wont to do), and slapped on a border that’s so hard to knit it made my own head hurt. Also, I – again – designed on a deadline, not only was there the beginning of the class looming, I also decided to do it during the ravelympics.

What are the ravelympics, you’ll ask? Unless you’re one of the thousands of people participating. The ravelympics are something that took place on ravelry during the winter olympics. The goal was to find a challenging but doable project, cast on during the opening ceremony and finish before the closing ceremony. I wouldn’t have thought about joining (much) if not for a friend of mine who was team captain for team Germany. And you know how much I love crazy internet challenges and strange, artificial, and arbitrary deadlines.

I tried to stay sensible though, and only planned two projects during that time. Project A was making this roving into socks:

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All the pictures are dark and dreary because that’s what the weather was like in February.

My socks were done in time and I got some medals:

And project B was to design and knit that lace scarf, write the pattern and publish it on ravelry.

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And I did it! And I have the medals to prove it.

And out of the process you get a free pattern for a lace scarf. The scarf is called Erster Frühling/First Spring for download here. (And I get a very cozy pair of yummy socks. Even though I’m not really taken with the colors. I will have to learn chain plying for my next pair. I already ordered the roving. Because while my sock drawer is so full that I can’t quite close it anymore, I really need some more hand-spun, hand-knit socks that are really, really warm. Just in time for spring.)

 

As crafty people we often pride ourselves of living besides the mainstream, not prone to consumerism, we feel a bit more independent of the big corporations and are less prone to fall for the next plastic thing that comes our way with a promise to make us happier or more beautiful. But then we don’t live in a bubble, and we do consume all the time. As was brought home to me last week.

A few days earlier the new spring and summer edition of knitty went public. For those of you who don’t know, knitty is an online knitting magazine with all free patterns. When I saw that it had come out I went over and had a look. Now, the first thing I always look at is knittyspin. That’s the part of knitty about spinning, and about patterns made with handspun. And then I saw Tappan Zee. It’s a short-sleeved cardigan with a little lace around the yoke. I looked at it and thought, “I have to have this!” I looked at the requirements for the yarn, found that I didn’t have anything in stash that was suitable, went over to an online fiber shop, ordered 400 grams of merino-silk top, threw in another 300 grams of assorted merino for sock yarn, printed out the pattern, and started waiting.

And that was the moment it hit me. This is insane. I felt that I absolutely had to print out the pattern this instant, when first I would have to wait for the fiber to arrive, then I would have to spin it, ply it, wash it, and only then could I start knitting. I won’t be needing the pattern for another four weeks or so. The only thing I need earlier is the specifications of the yarn I have to make for it. But I absolutely felt that I needed the pattern to sit there, right in the middle of my desk.

Now, I have to add that I made a little pact with myself not to buy any more fiber until the 400 grams I already have sitting here are all spun up. I’m a little fed up with the way that there’s yarn everywhere in my house, leaping at me from unexpected places. I just finished spinning the yarn I bought last June, and am slowly starting to inch my way through some of what I bought last September. I’m not quite sure but since last summer I have spun about 800 grams of fiber. I still have 500 grams sitting around here (See how that became 100 grams more over the last two sentences? That’s because I remembered the other fiber I still have.), and then I went out to buy 700 more grams just because I had seen a pattern for a little orange cardigan in a magazine. By my own estimate once that fiber arrives I will have enough fiber here to keep me spinning for the next year or longer.

So, what started this? For one – as you all know – I can’t resist anything orange. If that cardigan hadn’t been made of orange wool I probably would have thought, “Oh, that’s interesting but I don’t need a pattern for it, I can make that myself.” and I would have put it aside because yoke sweaters don’t look that good on me, and I never wear short sleeved cardigans. But since it is orange, and the model has pink hair – I couldn’t resist. Well, I could have if I really had wanted to but I didn’t want to.

Also I really need a cardigan or two. One of my go-to cotton cardigans is starting to look old and ratty, no surprise if you know that I bought it in 2003, and I wore it almost constantly since then. On the other hand a merino and silk cardi will probably be too hot. But maybe the short sleeves will help.

The other thing is that despite my deeply felt cardigan shortage I do have a handspun cardigan and a handknit sweater sitting here that are almost finished. I only need to weave in the ends and sew on some buttons. These sweaters have been sitting here for months, and I haven’t managed to finish them despite my desperate need for more cardigans.

So, to be frank, I really didn’t act in any way sensible when I ordered all that fiber. I had this “I want that!”-impulse, and acted upon it. And it’s that same impulse that makes us buy yet more shoes, or three dozen skeins of sock yarn even thought we could insulate our houses with the yarn we already have sitting around. It’s not the most mature thing to do.

I’m still okay with my decision, and I did start spinning that merino-silk as soon as it arrives. My impulse cost me about 25 Euros, and I will make something out of that fiber for sure. But I have to see to it that I don’t give in to the Want too often.

Giving in to the Want once in a while is a good thing and can make us happy. Giving in to it all the times is unhealthy and makes us unhappy.

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I just taped my NaNoWriMo winner certificate underneath my other NaNoWriMo winner certificates. I don’t know what it is about these competitions, I can’t stand to not win. The rest of the year I’m sitting on my lazy butt and don’t do anything much. But yeah, I did it – again – I wrote 50,000 words in November. The story is about one third done, and while I like the plot and the characters the language is blah, and since this story wanted to be fantasy I need fancy words, and names, and a fake history for their country and there are a few things that have to be made logical.

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Of course my plan was to continue on, and make this mad November-dash into a nice little daily habit but so far it’s been the same thing as the years before, I haven’t written one word after crossing over the finish line.

This year I managed to do this as low stress as possible, I was very good and wrote mostly in the mornings, even if that meant turning on the computer at 6.15 and writing 500 words at breakneck speed until it was time to wake up my son. I never wrote late in the evening, these days I’m just too tired for that.

Life conspired against me, and so I ended up falling behind starting the second week. And I fell behind and behind until at the beginning of the last week I was on the brink of giving up. Then I remembered that that’s always what happens, I start out all smug, ahead of the game and then I feel like I can never do it. And then I decided to finish early even, and I had two days where I wrote like crazy. The second of these days was Saturday and that was the only day in this year’s NaNo that I asked my husband to do everything else so I could write. I wrote 6,000 words that day, and I even went grocery shopping, and took a shower. (Not necessarily in that order.)

I also finished knitting my NaKniSweMo-sweater the day after. Now it is sitting there looking at me because I still need to weave in the ends, wash it, get buttons and sew them on. The sweater is very pretty, I’m only afraid it might not fit because the yarn is rumored to grow bigger with washing. Sadly I can’t show you a picture because I keep forgetting to take one while there is still light outside. My motivation for really finishing it is also quite low because I won’t be wearing it for the next months. While it is wool it doesn’t have a turtleneck, and I know from experience that only turtlenecks make me warm enough in winter not to catch a cold. So, this lovely low neckline will be something for early spring.

I found that knitting a sweater in a month isn’t all that hard for me. Even when I start five days late, and I’m knitting something in a fine gauge, that is to say with sock yarn. The knitting was very pleasant and quite mindless. I find that that’s the way to go at the moment, my head is quite full, mostly with mundane and trivial things, and so I enjoy knitting stockinette around, and around, and around. Quite unusual for me.

As every year I find December quite overwhelming. There’s the present buying, and the present choosing for Christmas as well as my son’s, my mother-in-laws, and my husband’s birthday. There’s the school things to do like helping with the Christmas crafting, making and wrapping a nice little present for my son (that’s not supposed to cost anything, nice touch), and about half a million things I just can’t remember right now. We have already reached the point where we don’t go anywhere anymore, and if you’d happen to invite us anytime until February the answer would be an automatic “no”.

I’m still blessed to be teaching quite a lot, and I mean really a lot. For the first time in years I had to turn down a potential student last week. My timetable is full. On the upside that might mean I might get my new piano a little bit earlier. Last week I suddenly had a revelation about the piano. I thought that if I wait until I have all the money to buy it I will never get it. But I could pay it in installments. That’s totally do-able. And reasonable. Yes, it is. So I’m looking at a bright new shiny piano in my future. Sometime next year, I hope.

And my husband will be giving me this for Christmas. It’s a flyer for my spinning wheel. It’s called a “freedom flyer”; that does sound lovely, doesn’t it? A friend already told me about it, and when the new “spin-off” magazine arrived there was an ad in there, and I made my husband drop everything so I could show it to him. I would have bought it right away myself with part of the money I got for teaching those two knitting workshops but then my glasses broke on Saturday, and so that money will go elsewhere. And he (my husband) said, “Does that mean you want this for Christmas?” And I said, “I don’t know, it is too expensive, and I don’t really need it.” “Do you want it?” “Um, yes.” “Then I’ll give it to you for Christmas. Go on and order it.” And I did.

Oh, and about the glasses? Turns out that I’m getting old. Well, I knew that but not only do I need glasses to help me with my nearsightedness, I need reading glasses as well! For now I’m trying to do without but this will get interesting (and quite expensive) in the future.

On the plus side I’m getting new glasses! And they look pretty! And it will be safe to wear them for driving! And I will be able to watch TV again! Because right now I’m wearing glasses that are way old, and the whole world is fuzzy and looks a bit depressing. I spend most of my time spinning while listening to podcasts…

 
  1. Just so you know what I’m doing:

  2. Yes, I decided to do NaNoWriMo again this year. First I was all sensible and only wanted to use it to get back into a regular writing habit, and write about 500 words a day. And finish a story I had started in June. Then I thought that not starting something new was like cheating. And then I thought, “Well, I can try how many words I can write comfortably without stress during fall break, and then I can decide later.” And – I think I’m hooked again. For now it’s really enjoyable if a bit crazy, I have managed to write mostly in the mornings so I could do other things later in the day without having to live with the dread of unwritten words all day long. In the past I have often procrastinated until bedtime and then written in a very bad mood and very tired.

  3. I’m also doing NaKniSweMo. But a little less seriously. Either it works or it doesn’t, and since I’m knitting a sweater with fingering weight yarn on 2.5 mm needles and couldn’t start before yesterday there’s a fair chance I won’t finish it in November. But I’ll try.
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  5. Since my last post I followed the advice of the beautiful Jo and got myself some new, low heel, pricey, and gorgeous boots from this place. So far I love them, I can even stuff my pant legs into them and still close them. They also work with hand-knit socks since I bought them one size bigger than I usually need. And I have walked in them for about twenty minutes already without chafing or anything. Great.
  6. Now I have to run and meet with my family, and get ready for lunch. See ya.
 

Last year when I started spinning again I really didn’t expect how happy it would make me. I’m still struggling with my spinning, I’m still not content with what I get but then I started spinning a bit more than ten minutes twice a week, and I started knitting with my own yarn. And it’s making the most amazing difference.

And now that I’ve actually sat down to write about it I find that I can’t really describe it. The yarn isn’t that much more beautiful, and it still is uneven and looks very – handmade. But somehow I’m enjoying every stitch. This handmade yarn has much more personality.

I felt the same way about the first thing I ever made out of my own yarn, which is why I called it the “happy hat”. But now I have made three small shawls out of yarn that I spun and I enjoyed knitting them in just the same way. Even though the orange merino/silk-blend was supposed to become an Aeolian. And I didn’t manage to spin it fine enough, so it became an Ishbel instead. I seem to be on an Ysolda-spree right now. I have two of her sweaters in the making, and have just finished two of her shawlettes.

So, here’s the evolution to shawls:

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merino/silk-blend hand-dyed by the “wool dragon”, the pattern is Ishbel by Ysolda

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Blue-Faced Leicester multi from the “wool sheep“, the pattern is Gail (aka Nightsong)

This has been quite hard to photograph. When it was blocking my husband said, “This looks like the perfect latte.”

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And this is some Corriedale, again from “das Wollschaf“, made into a Damson, another Ysolda-design. The Corriedale isn’t as soft as I would have loved it (I have since learned that that’s the nature of Corriedale). I was in such a hurry to make this that I didn’t even take a picture of the yarn or the finished shawl, the picture was taken by my father.

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You might ask yourself what do I need so many shawls for? Well, the orange one is mine (and I use it often) but the Gail is for a friend of mine who lost her father this year, and the Damson for one of my aunts who found out she had breast cancer a couple of months ago. Don’t worry, she’s doing fine and on the mend again.

And the next thing I’ll make is for me again. Finally I managed to spin enough yardage for Aeolian. It’s Blue-faced Leister again (so soft, and marvelous to spin), hand-dyed by Spinning Martha, and I really love the yarn, even if it’s a bit too thick and uneven:

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(Of course, there’s part 1 and 2 before this.)

Since the meeting started earlier on Sunday – at ten – and I had to pack, and have breakfast, and check out of the hotel before that I was in a bit of a hurry on Sunday morning. Of course that didn’t prevent me from talking for too long again over breakfast. Since I had to catch a train in the afternoon, and since the Bürgerhaus is near the train station but the hotel isn’t I decided to take all of my luggage with me.

At first I had felt very smug that I still could close my backpack after all the yarn I had purchased the day before but then I found that my second knitting bag, the one with the workshop supplies still sat outside. Oops. Then I found that I had to get more cash for the rest of the day because while I already had bought all the yarn I wanted I also wanted to have something to eat that day, and maybe buy some stitch markers and knitting needles. So I went in search of an ATM machine only to find that my card couldn’t be read. The same with the next place. (Note to self: get card replaced because that happened again last week.) Fortunately my other card got accepted. So now I’m the happy owner of some KnitPro wood needles, and some new stitch markers.

After finding a place to hide my enormous backpack I went to teach my knitting workshop for the second time. It was as delightful as the first time though we all had a bit less energy on this second day. Then I found some potato soup to eat before going back to the classroom, this time to take a workshop myself. That was the “finishing techniques” workshop taught by Sharon Brant. I didn’t really expect to learn something new in that workshop but I did. 1) It’s a good idea to use checkered fabric for blocking finished knits because it’s easier to lay the pieces straight. 2) How to get a buttonhole tidy, though I haven’t done a buttonhole in ages. And most interesting that 3) I am a quite fast knitter. I felt a bit sorry for the teacher because every time I’d looked up from my completed assignment I felt like putting her under pressure but really, I was content just to sit there and wait. I also knew the feeling because in my own workshop that day there had been a very fast knitter who got up and left with her finished sock heel as the other just started to ask me to show them the second step. I didn’t compete in the speed knitting contest, though, because I didn’t realize there was one until after the winner was announced.

Also, I still don’t like to knit sweaters flat and sew them together, and though I hate to admit it, my mother taught me well. I felt a little defensive, just sitting there in the workshop instead of oohing and aahing about all the exciting new things Sharon showed us. It was like when there was a knitting daily post about “the best way to pick up stitches for a sock gusset” or something, and I had really high hopes for that, only to find that the “very best way” was the exact same way my mother had shown to me, and her mother to her before me, and that’s the exact same method that has me having holes in my traditionally knit socks all the time. Sigh. But then I have to remember that I have been knitting for thirty years so far, that I made it through the knitting craze of the 80s without much in the way of patterns, always trying out new things. And that I have – for the past two years or so – learned more about knitting techniques from the internet and books than I ever knew before.

So, the workshop was great, and did indeed show you the things that you can’t learn out of a book. Unless you buy Sharon Brant’s “The ultimate knitting bible” or something, that is.

After that I went back to the marketplace to show my handspun shawl to Christine from Drachenwolle because she had dyed the fiber for that. And I talked some more, and some more, and I was very sorry to leave in time to get to the train.

My trip back home went smoothly, and I was so full of all the sights and sounds of the weekend that I haven’t been able to knit anything more complicated than stockinette in the round since then. I came back to my family and somehow things didn’t went as I imagined them, and we all celebrated my return by having a big fight. None of us wanted to but we were all so tired. My husband found out that I indeed do some of the housework when I’m home because my absence was noticeable.

I came back, unpacked my bags, wanted to force everybody to look at the yarn I had bought, failed, and then we just decided to call it a day. Since then I have been back to teaching again, my son has had his very first day of school ever, and the week went by in a flurry of minor excitement, and phone calls from students, and forms to fill out.

He loves school, he loves his teacher, he loves homework, and tomorrow will be the first day that he is going to school all alone without one of us with him. It’s really easy, he just has to leave the house, turn left and keep going, only it would be a good thing to remember to look out for cars before crossing streets. He already made a new friend, so everything is going well.

And here’s a picture of the things I got at Backnang:

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7 skeins of Drachenwolle sock yarn, roving and lace yarn from Spinning Martha in the front, a special ravelry bag, turquoise Merino-Cotton for my husband, a gift skein from Filatura di Crosa (very soft and nice), knitting magazines (also a gift from them), and some knitting needles and removable stitch markers. Today I showed all this to my husband and son and my husband agreed that, indeed, I had been sensible in my purchases and didn’t buy too much. Now I only have to find a place to store the yarn…

 

(Part 1 is the post before this.)

Saturday I could have slept in but, alas, I woke early. With the free wifi in the hotel I found myself surfing the net even before breakfast (no family to keep me in check), and had to question my sanity at this point. When I went down for breakfast it turned out that the whole hotel was firmly in knitterly hands, and once again I chatted non-stop until I had to go and get ready for the meeting itself.

This time I was in the company of other knitters and so I did manage to find both the yarn store where we were to get our tickets and the way to the Bürgerhaus where the actual meeting took place. That yarn store the Wollstube Wollin is truly amazing. I’m used to yarn stores that carry only one or two brands of yarn but this is wool paradise. At that point I was really good and only bought this:

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One skein of Drachenwolle, and two balls of Merino/Cotton for a hat for my husband (I got that at 50% off in his favorite color.)

At that point of the day I still had hopes of having lunch somewhere but ended up in an ice cream place that was so overwhelmed with all these guests that I sat there, knitting about a third of a sock without even seeing a waiter. Then I left. Next to our tables there were three people shaking their heads exclaiming, “They’re all knitting! All of them! Look! they are all knitting.” They might have been additionally confused by the fact that one of us was in fact, male.

So off I went to the Bürgerhaus, my fellow knitters had left me to take their new yarn to the hotel, and to change shoes, and was greeted by what has to be the most photographed statue in all Germany after this event:

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Of course, since I had only bought 200 grams of yarn (at that point) and was wearing my trusty if unfashionable sneakers I was ready for everything. You know, I felt a bit weird at the beginning of the day with my two knitting bags slung over my shoulder but once again – I wasn’t the only one. Knitters and bags seem to got together like hot water and tea. Inside I was greeted by an explosion of color, and a hall full of chatting knitters. Splendid. And then I even managed to grab something to eat and some water. I had been afraid that I would have to teach my first workshop on an empty stomach, not a good thing at all.

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When I went to check out the room where the knitting workshops were taking place I almost ran into “Mama and Papa Ravelry”, Jess and Casey. I managed to not go squee! and rush towards them, and immediately afterwards I turned shy as I sometimes do (not very often but always when something is important to me) so I didn’t speak to them at all. For the whole day. They entered the hall and we had some speeches of which I didn’t take any pictures. But here’s yarn, and knitters:

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The one thing that I didn’t like as much was the fact that all the workshops were in the same room. We had big tables and each workshop gathered round one. Originally I had planned to talk a lot in the beginning but then I soon found out that people couldn’t hear me anyway so I just shoved my scripts in front of the participants and told them to start knitting.

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I had been quite nervous because I had never taught a knitting workshop before. I was teaching “sock construction according to Cat Bordhi” and I was afraid that all the participants would sit there, “New Pathways for Sock Knitters” in hand and ask me about wing stitches and what to do if your ankle is that size, and your foot is that size, and all sorts of technical questions that I would then have to look up in the book, and probably screw up.

Instead they all were very, very nice. Most were quite competent sock knitters of course, since the topic is somewhat special, but in the end each and every one of them left with their own little sock heel and saw that, yes indeed, it works both toe-up and cuff-down. I even had to explain how to work “wrap & turn” for short rows which I hadn’t expected. It seems that most Germans do what we call “Doppelmaschen” when working short rows. (The link leads to a German pattern. To see a picture of the “Doppelmasche” (that would be double stitch which is not the same thing in English, sorry) scroll down to the bottom.) After a seemingly endless time that I had to wait until everybody finished their gusset increases and that I tried to pass by telling interesting bits about sock construction and knitting in general, and by simultaneously knitting a gusset myself which I then screwed up because I can’t teach and keep track of my sock heel without using a row counter. Then instead of using my very big prepared sock heels for demonstration I just went round the table and showed everyone individually.

It’s truly amazing how different people knit. Some are very fast, some are much slower, and they all look different even though I only had “continental knitters” in my group.

After my own workshop I went back to the big hall and bought yarn. And talked, and met people, and took out my spindle to spin with some of the others. Then I just sat down with a couple of people I had met before because I experienced a bit of people and yarn overload.

After that I went directly to the after-hours-party, I think. (That can’t be, I must have unloaded my two bags of shiny new yarn and fiber first.) We had excellent food there, buffet style, I had some beer, and talked and talked. I enjoyed the talking so much that I stayed way later than I had wanted. The beer was a bit of a disappointment, by the way. I like to sample local beer, and I had some at the place where we ate the night before but this very excellent restaurant only had beer that is local to Munich. And when I’m home I don’t usually drink it because there is better stuff to have.

So I went home late, then decided to finish off my half-bottle of wine afterwards while reading. Which – somehow – led to me being somewhat late on Sunday. Interestingly I didn’t have a headache. Must have been good wine.

(And yet too long so there will be – part 3.)

 

and I had a blast.

I’m perfectly aware that that was last weekend but then I seem to become busier and busier, I really should do something about this, one of these days, you know, when I have some spare time on my hands.

(This is a series of too long posts about that meeting. Feel free to skip.)

Before going to the meeting in Backnang (that’s near Stuttgart, and I didn’t know there was such a place before either), I went hiking in the Alps with my husband and son on Wednesday, and to a writer’s meeting on Thursday complete with shopping for all the school supplies and clothes my son will be needing until the end of the year. Even my to-do-lists were making to-do-lists but, strangely enough, I managed to do everything on time without forgetting anything important. I don’t even think I forgot anything. I might be getting better with this after all.

The raveler meeting was on Saturday and Sunday but I decided to go there on Friday because otherwise I would have had to get up really early on Saturday and teach a workshop after a long train ride. I tried to pack lightly as I always do but failed miserably. Not only did I put two knitting projects, an extra knitting bag for my workshop, books and handouts, I also packed enough clothes for a week. Since I planned on buying yarn and spinning fiber I took the big backpack, the one my husband used when we were traveling Brazil for two months, and it was full. As was my giant purse/knitting bag. Also my muscles were still sore from four hours of hiking in the mountains on Wednesday. When I got on the train a woman was looking at my huge rucksack and said, “That will be a long trip, won’t it?” Um, well, only this weekend.

In my defense I have to say that I also brought a bottle of wine for Friday night’s “pajama party” complete with two wine glasses and a corkscrew. For the whole trip I was unsure if maybe those people with ridiculous trolley suitcases on wheels do indeed have a point but every time I went my merry way, up stairs, down stairs or on and off trains I remembered why I choose to carry all my luggage on my back.

In order to get a cheap ticket I had booked a train that arrived at Stuttgart Friday noon but there wasn’t anything to do for me in Backnang until the evening when I had a date with a couple of twenty or so other knitters for dinner. So I decided to stay in Stuttgart for the afternoon and visit the Lindenmuseum. I had been there before, back in the days when I still studied cultural anthropology. I found that I already new most of the exhibits but it was very interesting to see how I had changed in the meantime. Ten years ago I was mostly interested in West Africa, and America, this time I spent a lot more time in the Asian part of the exhibition. Also my interest in African musical instruments has waned somewhat and instead I studied every piece of fabric, every garment and every tapestry.

There was a part of the exhibition showing Japanese interiors and tea things that I loved, and then I rounded a corner, saw a big Buddha in the corner, and had to stop myself from bowing before him. That wouldn’t have happened to me ten years ago for sure.

Backnang, the place of the meeting (for once I’m trying to stay on topic here because there will be quite a few knitters interested in this and they won’t be interested in hearing about museums I guess) is very picturesque. I can’t show you, though because as always I didn’t take a lot of pictures.

The hotel was splendid, I had a really nice very big and comfy room, and I didn’t even get back pain after sleeping there. That never happens. When I entered the lift that took me up to my room I already met a woman with big bags of spinning fiber. I looked at her saying, “You’re here for the meeting, aren’t you?” “Yes,” she said, “I went to Wolle Traub today.” I looked into her bag, “That’s Ashland fiber, isn’t it?”. And yet, it was, and yet she didn’t find me peculiar for knowing that.

When we knitters booked the hotel we were said to hear that there was no bar or restaurant to gather in so we decided to have a little party in our rooms. Hence the “pajama party”. In the end the very nice hotel staff put some chairs and tables in the yard for us so we could sit there and chat.

After putting away my mound of luggage I explored the city of Backnang, and totally failed to find any of the important sites for the weekend. That’s what happens when you don’t want to look touristy and refuse to take out your map. You wander around, manage only to find big box stores and buy underwear for your son instead of yarn or something interesting. I also felt a bit lost and therefore phoned my husband who, of course, didn’t hear the phone ring and didn’t answer.

That was the last moment I felt alone, or lost, or lonely for the next days. You know, I often feel a bit weird with my knitting and spinning obsession and I do know that it’s not entirely healthy and a bit out of control but it was very, very nice to be in the company of people who were the same. I found my tribe! Almost 300 people in one spot who all carried gigantic bags with several knitting projects, people who wore wool sweaters, shawls, and socks in weather better suited for short sleeves and bare feet. People who, like me, first looked at your knitted item, asking you about the yarn or the pattern or both, then looked at your button with your ravelry username, and then looked into your face. All of a sudden I wasn’t the only one who lost her train of thought in the middle of a conversation because she wanted to figure out where she had seen the pattern for the sweater the woman on the table next to her was wearing. (By the way, there was a dark haired youngish woman at the Kunberger Aura on Saturday evening who wore an orange cropped cardigan with cabled lapels and hood. She had a red t-shirt underneath. Does anyone know her, and what’s the sweater called, please?) [Edit: And thus is the power of the interwebs and of knitterly friends, Frau Schlamuser just told me that it was Arwen's Cardigan made by Catluzipher. I just knew that I had seen it in Interweave Knits and I was right.]

But back to Friday evening. (I might have to write this in several installments, it’s getting huge.) There were already half a dozen knitters gathered in the hotel lobby when I came down the stairs. One of them was Frau Schlamuser whom I had met a couple of weeks before in Munich. We had decided that it was a bit weird to travel hundreds of kilometers to see each other when we are living next to each other already. There were others that I recognized from their avatars, and/or the user names they had on their buttons. A bit later I had a button of my own and there were quite a few people looking at me saying, “Oh, you’re that creativemother!” knowingly.

We all went to a new restaurant nearby. That restaurant had only just opened, the menu was very short, the waitress was totally new to this, and they all were quite overwhelmed by a group of twenty or more people. We had to wait for our food a long time, it was partially cold, all in all one can only hope that they will get better at this. We did have a lot of fun though:

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I’m only showing you some of my pictures because I know that not everyone is comfortable with seeing his or her picture on the internet. So, instead of gathering for our little “party” at nine, as we had planned, we only started that quite a bit later. And when I finally brought my wine and glasses and such, almost no one wanted any more. So after a delightful evening I was stuck with half a bottle of wine left. Oops.

I’m really too lazy to link to everyone I met but it was so nice to see the faces of people I only knew through their forum posts or blogs (and that in my mind’s eye looked like their cats or like a bunch of socks or something because that’s what their avatars look like on ravelry). I also met a lot of people I hadn’t known before. And all of them were nice, and sociable, and fun to talk to.

After all that talking and drinking and eating it got a bit later than I had wanted. I was in full-blown people-and-talking mode but I think I stopped all my story-telling and general talking now and then to see if the people around me looked bored, or wanted to say something too. Most of them weren’t shy themselves so I was cool. All Friday evening (and Sunday) I had to answer the question, “Is that Ishbel?” because I wore my handspun Ishbel that I stil haven’t taken a picture of, and on Saturday I contemplated pinning a note to my shawl saying, “Yes, that’s Wollmeise. Yes, it is a Faroese shawl, the pattern is Irfa’a by Anne Hanson. I’m not sure about the colorway, I think it’s Red Hot Chili.” But then, where else to wear a lace shawl like that but to a knitter’s meeting?

I’ll continue this in part 2.

 

I finally did it, sent away the stuff for the classes I’m going to teach next fall. Thanks for your comments,a and offers for help. When I told my husband about that post he said, “But I offered to help you last weekend, and you didn’t want me too!” (He’s right, I’m stubborn.) He also said that he knew I’d do it at the very last minute, that man knows me well. The thing I couldn’t write about myself turned out to be exactly three sentences long. It would have been much easier for me if it had had to be three pages. I do better with long formats – which you can see on my blog, ahem.

I finally managed to write something by writing a first draft in English. My excuse for being more comfortable with writing in English has always been that I’m more used to it because of the blog and the internet but yesterday as I was scribbling down my draft on a piece of grocery list at midnight I thought again and I think that I take writing in English a bit lighter because it feels like paying with toy money. It feels a bit less real and therefore less threatening.

I told my husband about my feeling that writing in English is a bit less real for me than writing in German (I know it doesn’t feel like that for most of my readers) and he said, “English is your teddy-land!” I don’t know whether you’re familiar with teddy-land, it’s a land that my son invented where all his stuffed animals live. He goes to sleep there because teddy-land is mostly his bed, and my son is emperor of teddy-land.

So, it seems that English is the land where I go to play. I do know that it is a real language and that there are people who speak nothing else but for me it is as if there where teddy-land inside my computer, it’s where all the nice stories and music come from, and they even invented their own language. Plus there are all these nice imaginary people, and there seems to be a lot of knitting and writing in my teddy-land.

Anyways, here is my draft for the short bio:

My name is Susanne. I’m a singing teacher.

I love improvisation which keeps me in the moment, as does mindfulness meditation.

Since I also love to knit I combine the two in mindful knitting.

I told you it was only three sentences. The tricky part was connecting the singing with the knitting, and the meditation.

In German and after several re-writes it turned into:

Mein Name ist Susanne. Ich bin ausgebildete Musikpädagogin und unterrichte seit mehr als zehn Jahren Jazz- und Pop-Gesang.

Mein Interesse gilt dabei besonders dem Bereich der Improvisation, der spontan im Moment entstehenden Musik.

Die Konzentration auf das Jetzt, diesen Moment ist auch das Grundprinzip der Achtsamkeits-Meditation, und dieses Prinzip verbinde ich mit meiner fast lebenslangen Liebe zum Stricken durch “mindful knitting”, Strick-Meditation.

Kreativität hat viele Facetten.

That’s (in toy speak):

My name is Susanne. I am a trained music educator, and have been a singing teacher for jazz and pop for more than ten years.

I’m especially interested in improvisation, spontaneous music made in the moment.

The focus on the now, this moment, is also the guiding principle for mindfulness meditation. I’m combining this principle with my almost life-long love of knitting through “mindful knitting”, knitting meditation.

Creativity has many facets.

See, it turned out to be four sentences in the end.

As for the classes, there will be a lace knitting class (that’s self-explanatory, isn’t it?). I probably will be designing a lace scarf pattern for this, one that starts easy and gets more difficult over the six week class. There will be a class called “knitting as a spiritual way” where we will use knitting as a focus for mindful sitting meditation and we’ll think about how knitting connects people, how it tells stories, and such.

And then there will be the most exciting class for me (never mind that I’m making each of these up as I go along) the circle singing. There will be a one-day workshop where we will be making up songs as we go along. If you want to hear this kind of singing, go to the webe3-site, or go and listen to Bobby McFerrin’s Circlesongs-CD . We’ll stand in a circle, and I’ll make up patterns for the others to sing, then we’ll build patterns upon patterns, and in the end there will be music made by all of us together. If the students are able there even might be a bit of soloing.

So, if you’re living next to M.unich I’d love to see you at these classes. I probably will put up a link to them once they are link-able. The knitting classes will start in October and the circle singing will be November 8th.

Seems that there might be a bit more posting in this place now that the procrastination is out of the way…

 

Lo and behold, here are the pictures of the doll’s clothes (is this a doll or a stuffed animal?) I made between 1976 and 1981. (I wrote about the first of these clothes that I made when I told you how I learned to knit and crochet.) In chronological order:

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Nice summer combination of sleeveless top and short skirt. Think of a day spent sailing on a lake.

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Cozy and practical sleeping bag. Removable pack of tissues as a pillow. Notice the border in contrasting color. (The designer probably ran out of yarn.)

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There’s a few year’s gap between the above models and this one. Here there’s actual seamless construction in a floor length sturdy gown with puffy long sleeves. The dress is buttoned at the back and features single rows of single crochet in a brighter color to add interest.

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This model is meant to be worn at elegant tea or garden parties. A black skirt sets off the brightly pink top, again with long sleeves. The bow at the neck adds a little extra touch, and for those chilly evening breezes there is a nice black shawl to complete the outfit.

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City wear in bright colors. This is an 80s model after all. A simple straight and sleeveless dress that can be worn with or without the matching short sleeved jacket. The simplicity of the piece draws the attention to it’s cheerful color, and the interesting texture achieved by irregularly placed rows of single and double crochet.

The next dress is actually my very first piece of sewing. My mother made herself a dress at that time, and since I was so interested she decided to teach me machine-sewing. The fabric is leftovers from her dress. She helped me measure the doll, and cutting the pieces, then I sew the front and back of the dress, and the hem. My mother helped me gather the skirt and then she sew it to the top of the dress. She also made the hat. (So this time my mother’s the designer, not me.) There was a matching shawl made from thin red cotton but I don’t have it anymore.

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A light summer dress made of brightly printed cotton. Notice the matching sun bonnet with it’s pretty rick-rack at the brim.

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Again a summer dress, lacy and flowing, fit for a party in a nice dusty pink. Unlike the earlier works this one is knit instead of crochet which gives the fabric a nice flowing drape.

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This one is for colder weather, a wooly coat and matching hat. The moss stitch fabric is gathered at the cuffs. The double-breasted front is once again closed with bows. The crocheted hat has a ruffled brim that frames the face and a bow in contrasting yarn to add more visual interest.

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Another evening gown, a straight top and skirt with embroidered detail at the neck and shoulders made from a sleek, silk-like material. This model also features a matching bag with embroidered detail, and matching shoes (not pictured because they didn’t fit the model).

It’s really interesting to me to see all these in one place. I find that I still avoid seaming as much as I can. I even used pinky shears to cut out the pieces for the green, hand-sewn dress so that I didn’t have to sew more than absolutely necessary. The preference for bows and yarn as closures is due tot he fact that I didn’t have any buttons. Later I took inexpensive snap-fasteners that my mother didn’t mind giving me.

The other reason for why I tend to knit as seamless as possible came to me just a few days ago when I used my little sewing kit that I got from my grand-aunt when I was 14. I needed a tapestry needle and when I took it out that I had another one tucked away in there which I hadn’t known about for twenty years or so. In my youth there was the tapestry needle. One. It lives (to this day) in my mother’s knitting basket. We were not allowed to take it without asking, and we had to put it back immediately afterwards. Of course I avoided asking for it as much as possible.

I thought tapestry needles were expensive and rare. I don’t know when I decided to buy my own, certainly some time before I moved out of my parent’s house, and imagine my surprise when I found that tapestry needles are actually quite cheap, and that you can’t buy one only, you have to take a packet of two. At the moment I’m the proud owner of about four or five of them, the two I bought myself, and two or three that came with the sewing basket I inherited from my husband’s grandmother who was a seamstress.

Of course the doll clothes you see above aren’t the only ones I made when I was young. But these are the only ones I still have. I kept them because I liked them so much. I remember making clothes for a stuffed ape in bright yellow, blue, and pink cotton, crochet dresses for Barbie dolls, purses, and hats, and such. All made from leftover yarn and fabrics. I’m not sure but the yarn in the first picture on the top might actually be leftover yarn from my third big knitting project, a Norwegian sweater with colored yoke. When I was a child, I didn’t know you could have a home without a sack of leftover yarn and fabric in the attic.

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